ABC.com has an interview with the “Eli Stone” co-creators and executive producers Greg Berlanti and Marc Guggenheim.  George Michael is discussed throughout the article, including the following:  

What lead to the idea for ELI STONE, a lawyer having all going so well for him, and then seemingly in “crisis” ? And, which came first — the idea for a lawyer in crisis, or George Michael?

The idea for a lawyer who might be a modern day prophet came first, but George followed quickly thereafter. We wanted Eli’s first “vision” to be a song from his formative years by someone who’s been out of the spotlight for a while yet instantly recognizable. George not only fit this criteria, but was perfect because the themes of his music perfectly fit all the themes of the series.

And — why George Michael? Will he be a continuing element in the show?

George and his music will most definitely be continuing elements in the show. As we said, the themes of his music really capture the message of the show and his songs are featured prominently in future episodes. George himself will appear in three more episodes over the course of our first season.

The ABC site has a video interview with George Michael.

Here are some of the recent articles on “Eli Stone.”

The kooky, mystical Eli Stone asks, “What Would George Michael Do?”

There is one Cop Rock–style sort of production number in every episode of Eli Stone, but only one. Not all feature George Michael in person—taking one energetic turn will be Garber himself, a Broadway song-and-dance man before he enlisted as Jennifer Garner’s spooky father on Alias—but many of Michael’s songs are referenced. This baffles me as much as it does Eli. But when Eli sees Michael’s name spelled out in blocks by an autistic little boy, he is all of a sudden moved to represent that boy’s mother in a suit against a pharmaceutical company whose flu vaccine may have contributed to the autism.

A look at “Lipstick Jungle,” “Eli Stone,” and “Welcome to the Captain” and some other stuff

The fantasy elements, so far, have been lame. The George Michael bits are not interesting at all. The dance routine in the second episode was terrible (it was funny seeing Garber dance, though). And because we still don’t have a full understanding of who Eli Stone is the bigger fantasy elements (like the attack plane) just don’t work. We don’t understand his personality, we don’t fully understand what exactly he could feel guilty or concerned about, and so when something odd happens it’s just stupid. Again, yes, the show is only two episodes old at this point and hasn’t found its voice yet, but it’s going to have to find it fast and I don’t think it can. I get the feeling that this show could go thirteen episodes or more and not find its voice and balance. That’s a serious problem.

‘Lost’ leads ABC to win

As for “Eli Stone,” it averaged a second place 3.3/9 in 18-49 and 8.83 million viewers overall — finishing behind a repeat of CBS crime drama “Without a Trace” (2.7/7, 10.20m) in total viewers but winning its slot in the 18-49, 25-54 and 12-34 categories.

“Eli” was down 18% in 18-49 from its premiere, while lead-in “Lost” (6.5/16, 15.29m) posted a smaller 3% falloff. The drama about a lawyer who just may be a prophet is outperforming another rookie drama to air in the timeslot this season, “Big Shots.”

George Michael came out on top for a poll of most intriguing character on “Eli Stone” with  a stellar 66.2%.  You can read more about it in Review: “Eli Stone” Freedom.

I thought, perhaps, some of you would like to respond to the following article, Primetime Prophet, which says:

Thus far, Stone has “seen” a few dance numbers and performances by George Michael – who is a little scary, by the way – but none of these visions have been particularly outstanding.